If your typography looks like everyone else, so does your brand
Industry Insights

If your typography looks like everyone else, so does your brand

Mike AbbottMike Abbott
Table of Contents
  1. Type is the first signal of intent
  2. The sea of sameness is self-inflicted
  3. Typography is operational, not ornamental
  4. Tone of voice isn’t just written — it’s set in type
  5. Stop chasing trends. Start choosing deliberately.
  6. The uncomfortable truth

Most brands say they want to stand out. Then they choose the safest typeface in the room.

Typography is one of the most decisive brand choices you can make — and one of the most commonly diluted. It’s often treated as a styling exercise, handed off late in the process, or reduced to “something clean and modern.”

That’s how brands disappear.

Type is the first signal of intent

Before anyone reads your message, typography has already spoken.

It’s told them whether you’re confident or cautious. Whether you’re considered or generic. Whether you lead, or follow.

In seconds, type establishes tone, credibility and authority. And yet, many brands default to what feels familiar rather than what feels true.

Safe type doesn’t build trust. Intentional type does.

The sea of sameness is self-inflicted

Typography is one of the few remaining spaces where brands can claim ownership, without shouting, gimmicks or unnecessary complexity. But that requires conviction. If your typeface could belong to any competitor, it belongs to none of you.

Typography is operational, not ornamental

Type isn’t just about how a brand looks — it’s about how it works. It appears everywhere: websites, decks, interfaces, campaigns, internal comms. When it’s undefined or inconsistently applied, teams compensate. They interpret. They improvise. And the brand slowly fractures.

Strong typographic systems remove guesswork. They speed up delivery. They create confidence at scale. That’s not aesthetics. That’s efficiency.

Tone of voice isn’t just written — it’s set in type

You can write the most carefully crafted copy in the world and undermine it instantly with the wrong typography. Authority, warmth, urgency, restraint — these aren’t just linguistic choices. They’re visual ones. Typography carries tone whether you intend it to or not. The only question is whether it’s aligned with your strategy — or working against it.

Trends come and go. Brands don’t survive by following them.

The strongest brands treat typography as a long-term asset — chosen with the same rigour as positioning or messaging. It doesn’t need to be loud. It needs to be deliberate.

The goal isn’t to be fashionable. It’s to be recognisable.

The uncomfortable truth

If your typography feels interchangeable, your brand probably is too.

And no amount of campaign spend will fix that.

Typography won’t save a weak strategy — but it will expose one. And when aligned properly, it becomes one of the most powerful, quietly effective tools a brand has.

Not because it shouts.

Because it knows exactly who it is.

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